Hakkımızda

Zeynep Fadıllıoğlu, sanat, zanaat, mimarlık ve tasarım alanında disiplinlerarası faaliyet gösteren şirketini 1995 yılında İstanbul’da kurmuştur. Fadıllıoğlu, doğu ile batıyı harmanlarken hikayesini renkler, dokular, tekstil, aksesuar ve mimari üzerinden anlatır. Geleneksel ile çağdaş arasında bir çizgide tasarlar, düşünür ve üretir.

Zeynep Fadıllıoğlu, başta İstanbul, Ankara, Antalya, İzmir ve Bodrum olmak üzere, New York, Londra, Paris, St. Tropez, Berlin, Hollanda, Kuveyt, Doha, Yeni Delhi, Mumbai, Bahreyn, Cidde, Umman, Ürdün gibi dünyanın çeşitli yerlerinde, camiler, konutlar, oteller, restoran ve kulüpler, iş yerleri, mağazalar, ürün tasarımı, set tasarımı ve özel etkinlikleri de içeren 500'ün üzerinde proje yaptı.

Zeynep Fadıllıoğlu, sanatçı, tasarımcı ve zanaatkarlar ile çalışan bir kurum kültürü geliştirmiştir. Tasarım grubu kendi alanında deneyimli, mimar, iç mimar, tasarımcılardan oluşmaktadır. Mekan tasarımlarının malzeme ve kumaş seçimlerinde bir art direktör kararları veren ve tasarımları yönlendiren kişidir.

Zeynep Fadıllıoğlu Tasarım Grubu kendi ile aynı vizyonu taşıyan, mimar, içmimar, ressam ve tasarımcılardan oluşmaktadır. 25 kişilik genç ve yenilikçi bir ekip olan Zeynep Fadıllıoğlu Tasarım Grubu, tasarımlarında zamansızlık görünümünü yaratırken, pek çok sanatçı ve zanaatkar ile birlikte çalışarak; yurtdışı proje yönetimleri, planlama ve lojistik konusunda uzmanlaşmıştır.

Zeynep, son derece zarif iç mekanların tasarımcısıdır. Dokuları ve renkleri
dahiyane bir şekilde katman katman birleştirmesi, mekanlarına zamansız bir his verir.

The Earl of Snowdon

Projeler

The Peninsula Istanbul, İstanbul
Şakirin Cami, İstanbul
Nahita Boston, Boston, Massachusetts
Nişantaşı Beymen Brasserie, İstanbul
Boğaz Yalısı, İstanbul
Altın Cami, Doha
Mandarin Rezidans Bodrum, Bodrum
Özel Rezidans, İstanbul
Özel Köşk, İstanbul
Six Senses Kocataş Mansions, İstanbul
Ulus 29, İstanbul
Hotel Les Ottomans, İstanbul
Masterpiece Art Fair, Londra
Fenix İstanbul, İstanbul
Martı Otel, İstanbul
Yılın Modern Tasarımcısı Ödülü, Londra
Sinbin, İstanbul
Özel Villa, İstanbul
Antalya 29, Antalya
Çubuklu 29, İstanbul
Özel Villa, İstanbul
Sukar Pasha, Doha
Fenix Bodrum, Bodrum
Chintamani, Londra
Cuma Cami, Doha
Özel Villa, İstanbul
Anjelique, Bodrum
Molu Mağaza, İstanbul
House and Garden Fair, Londra
Kuum 29, Bodrum
Prince’s Palace Resort, Büyükada

Hamad bin Jassim bin Jaber Al Thani Mosque, Doha

Daha Fazla Daha Az

About

Zeynep Fadıllıoğlu founded the company that bears her name in 1995. That name swiftly became synonymous with a style that is both bold and comfortable, and references the past in a contemporary way. Zeynep’s approach is best explained by her unique upbringing. Her family lived in an Italian palazzo on the European shores of Istanbul’s Bosphorus Straits with a view of Asia spread before them. As a child she was surrounded by Sevres and Meissen, and the odd piece of Fabergé. There were also Ottoman furnishings, as well as locally-crafted pieces from the neighbourhood carpenter.

Projects

Hakkımızda

Zeynep Fadıllıoğlu, sanat, zanaat, mimarlık ve tasarım alanında disiplinlerarası faaliyet gösteren şirketini 1995 yılında İstanbul’da kurmuştur. Fadıllıoğlu, doğu ile batıyı harmanlarken hikayesini renkler, dokular, tekstil, aksesuar ve mimari üzerinden anlatır. Geleneksel ile çağdaş arasında bir çizgide tasarlar, düşünür ve üretir.

Zeynep Fadıllıoğlu, başta İstanbul, Ankara, Antalya, İzmir ve Bodrum olmak üzere, New York, Londra, Paris, St. Tropez, Berlin, Hollanda, Kuveyt, Doha, Yeni Delhi, Mumbai, Bahreyn, Cidde, Umman, Ürdün gibi dünyanın çeşitli yerlerinde, camiler, konutlar, oteller, restoran ve kulüpler, iş yerleri, mağazalar, ürün tasarımı, set tasarımı ve özel etkinlikleri de içeren 500'ün üzerinde proje yaptı.

Zeynep Fadıllıoğlu, sanatçı, tasarımcı ve zanaatkarlar ile çalışan bir kurum kültürü geliştirmiştir. Tasarım grubu kendi alanında deneyimli, mimar, iç mimar, tasarımcılardan oluşmaktadır. Mekan tasarımlarının malzeme ve kumaş seçimlerinde bir art direktör kararları veren ve tasarımları yönlendiren kişidir.

Zeynep Fadıllıoğlu Tasarım Grubu kendi ile aynı vizyonu taşıyan, mimar, içmimar, ressam ve tasarımcılardan oluşmaktadır. 25 kişilik genç ve yenilikçi bir ekip olan Zeynep Fadıllıoğlu Tasarım Grubu, tasarımlarında zamansızlık görünümünü yaratırken, pek çok sanatçı ve zanaatkar ile birlikte çalışarak; yurtdışı proje yönetimleri, planlama ve lojistik konusunda uzmanlaşmıştır.

Zeynep, son derece zarif iç mekanların tasarımcısıdır. Dokuları ve renkleri dahiyane
bir şekilde katman katman birleştirmesi, mekanlarına zamansız bir his verir.

The Earl of Snowdon

Projeler

The Peninsula Istanbul, İstanbul
Şakirin Cami, İstanbul
Nahita Boston, Boston, Massachusetts
Nişantaşı Beymen Brasserie, İstanbul
Boğaz Yalısı, İstanbul
Altın Cami, Doha
Mandarin Rezidans Bodrum, Bodrum
Özel Rezidans, İstanbul
Özel Köşk, İstanbul
Six Senses Kocataş Mansions, İstanbul
Ulus 29, İstanbul
Hotel Les Ottomans, İstanbul
Masterpiece Art Fair, Londra
Fenix İstanbul, İstanbul
Martı Otel, İstanbul
Yılın Modern Tasarımcısı Ödülü, Londra
Sinbin, İstanbul
Özel Villa, İstanbul
Antalya 29, Antalya
Çubuklu 29, İstanbul
Özel Villa, İstanbul
Sukar Pasha, Doha
Fenix Bodrum, Bodrum
Chintamani, Londra
Cuma Cami, Doha
Özel Villa, İstanbul
Anjelique, Bodrum
Molu Mağaza, İstanbul
Kuum 29, Bodrum
House and Garden Fair, Londra
Prince’s Palace Resort, Büyükada
Hamad bin Jassim bin Jaber Al Thani Mosque, Doha
Daha Fazla Daha Az

Koleksiyon

Koleksiyon

iconic466x500BW2

"The aim of this book is to showcase and celebrate the rich diversity of interior design across the 20th century. The wide-ranging list of homes featured suggests the importance of individual imagination, originality and character, as well as aesthetic beauty and style. The interiors were also chosen to reflect an international and chronological mix of projects that would touch upon key stylistic movements and form an interconnected narrative of 20th century design."

Dominic Bradnury
adrewMartin466x500BW

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M.2013

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
iconic466x500BW2

"The aim of this book is to showcase and celebrate the rich diversity of interior design across the 20th century. The wide-ranging list of homes featured suggests the importance of individual imagination, originality and character, as well as aesthetic beauty and style. The interiors were also chosen to reflect an international and chronological mix of projects that would touch upon key stylistic movements and form an interconnected narrative of 20th century design."

Dominic Bradnury
iconnn

"The aim of this book is to showcase and celebrate the rich diversity of interior design across the 20th century. The wide-ranging list of homes featured suggests the importance of individual imagination, originality and character, as well as aesthetic beauty and style. The interiors were also chosen to reflect an international and chronological mix of projects that would touch upon key stylistic movements and form an interconnected narrative of 20th century design."

Dominic Bradnury
iconicHover

"The aim of this book is to showcase and celebrate the rich diversity of interior design across the 20th century. The wide-ranging list of homes featured suggests the importance of individual imagination, originality and character, as well as aesthetic beauty and style. The interiors were also chosen to reflect an international and chronological mix of projects that would touch upon key stylistic movements and form an interconnected narrative of 20th century design."

Dominic Bradnury
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M.2013

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller
A.M

"For a quarter of a century, I have been lucky enough to have a front row seat at the theatre of the world’s greatest designers. I have called this exhilarating mosaic of styles and influences the Kaleidoscope Age. Since 1996, the Andrew Martin Review has endeavoured to somehow capture the ever-changing refraction of the history, politics and zeitgeist of interior design. Compare and contrast the work of just a few of the 25 winners of the award; from the groundbreaking East meets West mantra of Kelly Hoppen in 1996, the history making Zeynep Fadillioglu when she became the first woman ever to design a mosque, the supremely influential austerity of Axel Vervoordt, Stephen Falcke the evangelist of African tribal art, the exuberance of Kit Kemp, the celebrity circus of Martyn Lawrence Bullard, the poetic magic of Jorge Canete and in 2020 the standard bearer of China’s golden generation of design, Ben Wu."

Martin Waller

Tasarımcı, mimar, sanatçı, illüstratör, zanaatkarlardan oluşan; farklı disiplinleri buluşturan bir ekip. Proje brifinin yakın analizi ile sürekli geliştirilen bir tasarım felsefesiyle; farklı düzeylerde esnek ve uyumlu, Alışılmışı moderne dönüştüren ve kulanıcının istek ve ihtiyaçlarını karşılayan tasarımlar üretir.

  • İstanbul
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Amiral Fahri Engin Sok. No:3 34470
Rumeli Hisarı Sarıyer İstanbul

T: + 90 212 287 09 36

info@zeynepfadillioglu.com

Contact

  • İstanbul
  • London
  • Doha

Tasarımcı, mimar, sanatçı, illüstratör, zanaatkarlardan oluşan; farklı disiplinleri buluşturan bir ekip. Proje brifinin yakın analizi ile sürekli geliştirilen bir tasarım felsefesiyle; farklı düzeylerde esnek ve uyumlu, Alışılmışı moderne dönüştüren ve kulanıcının istek ve ihtiyaçlarını karşılayan tasarımlar üretir.

  • Istanbul
  • London
  • Doha

Amiral Fahri Engin Sok. No:3 34470
Rumeli Hisarı Sarıyer İstanbul

T: + 90 212 287 09 36

info@zeynepfadillioglu.com

Menu

Contact

  • Istanbul
  • London
  • Doha
Amiral Fahri Engin Sok.
No:3 34470 Rumeli Hisarı
Sarıyer İstanbul

info@zeynepfadillioglu.com

T: + 90 212 287 09 36

Contact

  • Istanbul
  • London
  • Doha
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The Peninsula Istanbul

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Şakirin Cami

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Nahita Boston

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Nişantaşı Beymen Brasserie

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Altın Cami

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Mandarin Rezidans Bodrum

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Özel Köşk

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Six Senses Kocataş Mansions

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Ulus 29

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Hotel Les Ottomans

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Masterpiece Art Fair 

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Fenix İstanbul

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Martı Otel

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Sinbin

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Özel Villa

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Antalya 29

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Çubuklu 29

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Özel Villa

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Sukar Pasha

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Fenix Bodrum

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Chintamani

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Cuma Cami

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Anjelique

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Molu Mağaza

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House and Garden Fair

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Kuum 29

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Prince’s Palace Resort

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Hamad bin Jassim bin Jaber Al Thani Mosque